Fashion - Bachelors

To be HMONG is to be a WARRIOR

To Be Hmong is to be a Warrior is a visual collection that delves into my interpretation of the migration and fluctuation of textile wealth within the Hmong community across history. It aims to illustrate how they blossomed in the lands they now call home.

Look 1 – china

The Hmong people in China, originally from the southern regions, possess a deep cultural heritage centered around textile wealth. Their intricate embroidery, weaving, and fabric-making traditions have been passed down through generations, reflecting their history, identity, and resilience as they adapted to new lands while preserving their ancestral craftsmanship.

Look 2 – Vietnam

Vietnam was the first country the Hmong people migrated to in search of land and refuge from oppression in their native China. As they settled in the highlands, they adapted their traditional clothing, creating a distinctive striped textile that became a unique variation of their ancestral garments. This innovation not only reflected their resilience but also allowed them to preserve their cultural identity in a new land.

Look 3 – LAOS

In search of land to cultivate and escape the escalating hardships of war, the Hmong people migrated from Vietnam to Laos during the mid-20th century. The secret war, which saw intense conflict and displacement, severely disrupted their way of life, causing their textile wealth to decline dramatically. As a result, many Hmong families lost access to the materials and resources needed to create their intricate traditional garments, forcing them to adapt their craft with limited resources.

Look 4 – Thailand

Seeking refuge in Thailand after the upheaval of war, the Hmong people were able to reconnect with their rich textile traditions. In the refugee camps, they regained access to materials and techniques that had been lost during their displacement. This resurgence in textile craftsmanship led to the creation of the iconic knife-pleated white skirts, a symbol of their cultural revival. These skirts represent a return to their heritage but also embody the Hmong people’s resilience and determination to preserve their identity despite the challenges they faced.

Look 5 – Western

As the Hmong people migrated to Western countries, they faced the challenge of adapting their traditional clothing to new environments. Embracing modern and minimalist design elements, they have reimagined their garments, incorporating simpler silhouettes and contemporary fabrics while still preserving key aspects of their traditional designs. This fusion of old and new reflects the Hmong community’s ability to honor their heritage while navigating the complexities of modern life, blending tradition with innovation in a way that maintains their cultural identity.

Look 6 – ONE

Despite having no country to call their own and being spread across the globe, the Hmong people remain united in their shared heritage. Their traditional designs, woven with history and culture, continue to serve as a powerful symbol of their collective identity. Through traditional costumes, they preserve a deep connection to their roots, living proof that even in diaspora, they are still “ONE” community, bound together by tradition, resilience, and the enduring spirit of their people.

Karen Xiong

Karen is a fashion designer blending high fashion with Asian streetwear influences. With a focus on bold, wearable pieces, she merges traditional and contemporary elements to create designs that challenge fashion boundaries. Inspired by global trends, Karen aims to redefine streetwear, offering collections that celebrate cultural expression and individual identity.